Great Concern As Parents of Missing #Chibok Schoolgirls Tragically Pass Away.
This headline is so shocking and heartbreaking it’s almost unbelievable. 11 parents of the missing Chibok schoolgirls have died or have been killed in the three months since their abduction.
According to a report by AP, seven of the girls’ fathers were among over 50 bodies that were brought to a hospital in the area after an attack on the nearby village of Kautakari this month. Four more parents are said to have died from heart failure, high blood pressure and other illnesses many blame on the trauma sustained from this incident.
Speaking out on this issue, community leader Pogo Bitrus has said, “one father of two of the girls kidnapped just went into a kind of coma and kept repeating the names of his daughters, until life left him.”
Nigerian President Goodluck Jonathan, who has been heavily criticized for his slow response and the ineffective manner in which he has been handling both this situation and the greater Boko Haram threat, met with some of the victim’s parents and their classmates on Tuesday where he promised to continue efforts to bring back the girls alive.
Meanwhile, the town of Chibok seems to be in more and more danger as Boko Haram continue to gain ground in the surrounding area. Over the weekend, the terrorist group launched several raids in northeastern Nigerian towns and villages where they also attacked an army base in the strategic town of Damboa. This particular attack saw as many as 15, 000 civilians fleeing the area as a result.
I cannot recommend this video enough. This woman breaks it down perfectly.
The Stories That Europe Tells Itself About Its Colonial History
by Chimamanda Ngozi Adichie
“She said once she was shocked that her son while being taught Belgian history, was taught nothing about Congo. She said “They teach my son in school that he must help the poor Africans, but they don’t teach him about what Belgium did in Congo.” Of course, all countries are evasive about the past for which they feel ashamed, but I was shocked by what seemed to me not evasiveness but an erasure of history.
If her son doesn’t learn that the modern Congo State began a hundred years ago as the personal property of a Belgian king, who was desperate to get wealthy from ivory and rubber, if her son doesn’t learn that the hands of Congolese people were chopped off for not producing enough resources to meet the king’s greed, if her son doesn’t learn that the Belgian government later led Congo with a deliberate emphasis on not producing an educated class, so that Congolese could become clerks and mechanics but couldn’t go to university, if her son doesn’t learn that more recently, even though it was the Americans who installed the Mobutu dictatorship, Belgium was a major force behind the scenes propping him up, if this young Belgian boy, knows nothing about these incidents, then, at some point, they would perhaps no longer have happened because the past after all is the past because we collectively acknowledged that it is so.
This young Belgian boy would grow up to see Africa only as a place that requires his aid, his help, his charity with no complications for him. A place that can help him show how compassionate he can be, and most of all, a place whose present has no connection to Europe.
It is not that Europe has denied its colonial history. Instead, Europe has developed a way of telling the story of its colonial history that ultimately seeks to erase that history”
Mangbetu women’s clothing, Medje village, Congo (now Democratic Republic of Congo), 1970 - Photo by Eliot Elisofon
“The photograph depicts woman wearing traditional barkcloth ‘negbe’. The main item of women’s clothing was a rectangular barkcloth garment called ‘nogetwe’. Worn like a short skirt or sometimes like an apron, it was left open to reveal the ‘negbe’, or back apron. Women generally wore barkcloth when they were not at work and when strangers were present.” (Schildkrout E., Keim C., 1990: African Reflections, University of Washington Press)
"Shot in the streets of Kinshasa, site of Muhammad Ali’s legendary ‘Rumble in the Jungle’, Karibu Ya Bintou (“Welcome to Life in Limbo”) is a short film with music from the 2010 album ‘Kinshasa Succursale’ by Baloji. Electric finger piano (likembé): played by Konono N°1, the legendary Congolese band who collaborated with Björk & count Vampire Weekend and Beck amongst their biggest fans." (Sean Jacobs)
Paris exhibition traces link between works of Bantu speakers spread along the banks of Africa’s Congo river
Art Luba: Description d’une oeuvre sculptée attribuée au maître de Buli.
Des anciens kulunas deviennent des joueurs de tam-tams. Apprendre un métier peut leur permettre d’abandonner la violence.